Friday, 8 November 2019

SPACED OUT

If queer space did exist separately to ‘normal’ space, what would it be? If queer by its abnormality and unconventionality then the afterlife is a queer space. The Innocents (Clayton, 1961) can be queered as the environment is haunted by paranormal entities. In the film the ghosts don’t exist in a physical space, rather a void that blurs the boundaries between spaces of life and death. The queer space that Miss Jessel and Quint inhabit, or rather non-space, allows them to act freely, or appear to. Perhaps humanity should seek to inhabit a non-space in which they too can act freely. Despite having argued that ghosts can exist within a queer space, the one we are referencing still operates as a space. For a space to be truly queer, it would need to oppose any constructs of a space; it would not be a location or a destination. “Queer uses of time and space develop, at least in part, in opposition […], they also develop according to other logics of location, movement, and identification” (Judith Halberstam, 1). The queer space that Quint is trapped in cannot be a space because a queer space, by definition, cannot be entered. In essence, queer spaces are not spaces for queer things, they are spaces of non-space.